Visually similar
Jesus Raises Jairus’s Daughter from the Dead (folio 82 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
John the Baptist recognizes Christ by the appearance of a dove (folio 50 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night
Tara 1, c. 1560
A traveler persuades Lorik to return home (top); Chanda objects (bottom), from a Chandayana (Story of Chanda)
Unknown artist, c. 1540
An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso)
Unknown artist, 1540–70
The place of Jesus’s birth (folio 25 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
Unknown artist, c. 1560
Salome Receiving John the Baptist’s Head on a Platter (folio 112 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night
Lalu, c. 1560
Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night
Suraju, c. 1560