Visually similar
The Marriage at Cana (folio 58 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
Unknown artist, c. 1560
A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History
Unknown artist, c. 1600
Jesus Raises Jairus’s Daughter from the Dead (folio 82 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
A Disconsolate Lady on a Terrace with Attendants
Unknown artist, c. 1730
Mary Magdalene Presents Ointment to Jesus (folio 102 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–04
The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night
Unknown artist, c. 1560
A Heroine and Her Paramour: Malavi Ragini, from a Ragamala
Unknown artist, c. 1695
Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
Unknown artist, c. 1560
Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)
Unknown artist, c. 1596–1597 or 1604