Visually similar
The Marriage at Cana (folio 58 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)
Unknown artist, c. 1596–1597 or 1604
The Flowering of Joseph’s Rod (folio 11 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–04
Salome Receiving John the Baptist’s Head on a Platter (folio 112 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
Unknown artist, c. 1560
Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Mary Magdalene Presents Ointment to Jesus (folio 102 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–04
Moses praying to end the serpents’ attack on the Israelites (folio 63 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
Unknown artist, c. 1560
The place of Jesus’s birth (folio 25 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4