Visually similar
The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The Marriage at Cana (folio 58 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The place of Jesus’s birth (folio 25 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Leaf from a Book of Hours: The Nativity (recto)
Unknown artist, c. 1430
Jesus Raises Jairus’s Daughter from the Dead (folio 82 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
Unknown artist, c. 1560
The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
John the Baptist recognizes Christ by the appearance of a dove (folio 50 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unknown artist, 1602–4
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
Unknown artist, c. 1560
Leaf from a Cocharelli Treatise on the Vices: Acedia and Her Court
Unknown artist, c. 1330