More by Henry Fuseli
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Dido
Henry Fuseli, 1781

Euphrosyne vor der Phantasie und der Temperantia (Mäßigkeit)
Henry Fuseli, 1799–1800

The Nightmare
Henry Fuseli, 1781

The Mandrake: A Charm
Henry Fuseli, exhibited 1785

Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti
Henry Fuseli, c. 1783

Hagen and the Nymphs of the Danube
Henry Fuseli, 1802
Visually similar

Venus Lamenting Adonis
Peter Paul Rubens, c. 1608-1612

Two Studies of a Reclining Male Nude, after Gericault (recto); Figure Studies after Rubens's “Fall of the Damned” (verso)
Eugène Delacroix, ca. 1820–22

Menelaus and Patroclus, after the Antique (recto and verso)
Henry Fuseli, 1770–78

Figure Studies
Salvator Rosa, c. 1640–49

Figure Studies for the Salon du Roi, Palais Bourbon
Eugène Delacroix, 1833–35

Study of Napoleon on Horseback with Sketches of Nudes Among Rocks
Théodore Géricault, 1813/14












