Secondhang
Street in Warsaw

More by Ernst Barlach

All works →
The First Day
The First Day
Ernst Barlach, 1920
The Dance of Death II
The Dance of Death II
Ernst Barlach, 1921
The First Day (Der erste Tag)
The First Day (Der erste Tag)
Ernst Barlach, 1922
The Cathedrals
The Cathedrals
Ernst Barlach, 1920
Gruppe im Sturm (Couple in a Storm) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
Gruppe im Sturm (Couple in a Storm) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
Ernst Barlach, 1919, published 1920
Christ in Gethsemane
Christ in Gethsemane
Ernst Barlach, 1919
God Belly
God Belly
Ernst Barlach, 1921
The Writing Prophet (Saint John on Patmos)
The Writing Prophet (Saint John on Patmos)
Ernst Barlach, 1919
The Divine Beggar
The Divine Beggar
Ernst Barlach, 1921
The Seventh Day
The Seventh Day
Ernst Barlach, 1920
The Dog Catcher
The Dog Catcher
Ernst Barlach, 1919
The Cliffs
The Cliffs
Ernst Barlach, 1920

Visually similar

The Lawyer Pursued
The Lawyer Pursued
Jean-Louis Forain, 1915
A Man on a City Street, Surrounded by Children (Un Père)
A Man on a City Street, Surrounded by Children (Un Père)
Théophile Steinlen
The Astrologer
The Astrologer
Ferdinand Bol
St. Michael and Lucifer
St. Michael and Lucifer
Benjamin West, undated
Portrait of Sophie Bodin-Lallement
Portrait of Sophie Bodin-Lallement
Émile Bernard, 1887
The Raging Barbarian
The Raging Barbarian
Ernst Barlach, c. 1916/1917
On the Street, plate nine from A Life
On the Street, plate nine from A Life
Max Klinger, 1884
The Absinthe Drinker
The Absinthe Drinker
Édouard Manet, 1867-1868
Head of a Moor Bending Forward
Head of a Moor Bending Forward
Giovanni Domenico Tiepolo, 1770
Komposition: Udsigt gennem en port, til hvis væg en svend med spyd læner sig til et torv med en kirke (vistnok tegnet med erindring om St. Knud, Odense)
Komposition: Udsigt gennem en port, til hvis væg en svend med spyd læner sig til et torv med en kirke (vistnok tegnet med erindring om St. Knud, Odense)
Dankvart Dreyer, 1840-1849
One Doesn't Get Used to It
One Doesn't Get Used to It
Théophile Steinlen, 1915
Woman Seen from Behind, from Figures de modes
Woman Seen from Behind, from Figures de modes
Jean-Antoine Watteau, c. 1710