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More by Jean-Louis Forain

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Behind the Scenes
Behind the Scenes
Jean-Louis Forain, c. 1880
The Races at Longchamp
The Races at Longchamp
Jean-Louis Forain, c. 1891
In the Wings
In the Wings
Jean-Louis Forain, 1899
The Petitioner
The Petitioner
Jean-Louis Forain, c. 1910
The Admirer
The Admirer
Jean-Louis Forain, c. 1878
The Stockade
The Stockade
Jean-Louis Forain, probably c. 1908
Tight-Rope Walker
Tight-Rope Walker
Jean-Louis Forain, c. 1885
Portrait of Anna de Noailles (1876-1933)
Portrait of Anna de Noailles (1876-1933)
Jean-Louis Forain, c. 1905
Départ, le coup de vent
Départ, le coup de vent
Jean-Louis Forain, c. 1900
The Race Track
The Race Track
Jean-Louis Forain, c. 1891
The Artist's Wife Fishing
The Artist's Wife Fishing
Jean-Louis Forain, 1896
Standing Woman with a Fan
Standing Woman with a Fan
Jean-Louis Forain, 1880–1890

Visually similar

Au Pireê. -Le depart des boches.
Au Pireê. -Le depart des boches.
Jean-Louis Forain, c. 1914/1919
Sketches for paintings incl. Religious Procession in the Kursk Governorate
Sketches for paintings incl. Religious Procession in the Kursk Governorate
Ilya Repin, 1880
Salute them!
Salute them!
Théophile Steinlen, January 1899
Lent
Lent
Théophile Steinlen, February 1894
Piirustuksia vaeltavista mieshahmoista
Piirustuksia vaeltavista mieshahmoista
Helene Schjerfbeck, 1880–1885
En somme ca n'est que du "materiel humain."
En somme ca n'est que du "materiel humain."
Jean-Louis Forain, c. 1914/1919
Le Front de Vincennes
Le Front de Vincennes
Jean-Louis Forain, 1914/1919
At the Bailiff's
At the Bailiff's
Jean-Louis Forain, c. 1891
One Doesn't Get Used to It
One Doesn't Get Used to It
Théophile Steinlen, 1915
Disparate conocido (Well-Known Folly)
Disparate conocido (Well-Known Folly)
Francisco Goya, 1816
Milch Cow
Milch Cow
Théophile Steinlen, n.d.
Les Mauvais médécins
Les Mauvais médécins
James Ensor, 1895