More by Henry Fuseli
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Dido
Henry Fuseli, 1781

Euphrosyne vor der Phantasie und der Temperantia (Mäßigkeit)
Henry Fuseli, 1799–1800

The Nightmare
Henry Fuseli, 1781

The Mandrake: A Charm
Henry Fuseli, exhibited 1785

Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti
Henry Fuseli, c. 1783

Hagen and the Nymphs of the Danube
Henry Fuseli, 1802
Visually similar

The Discovery (recto), Two Sketches of Standing Male Figures (verso)
Henry Fuseli, 1767/69

A Gaul Killing Himself and His Wife, after Perrier
Eugène Delacroix, ca. 1822–26

A Scene from Roman History
Benjamin West

Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Baccio Bandinelli, n.d.

Richard Plantagenet throws the severed head of the duke of Somerset at the feet of his father. Illustration for Shakespeare's Henry VI, Part 3, act 1, line 20
Henry Fuseli, 1770-1779

Combat of Nude Men, after Raphael
Eugène Delacroix, ca. 1823

The Cave of Despair
Henry Fuseli, c. 1769

Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa, 1615–73

Orpheus and Eurydice (recto)
Jean-Honoré Fragonard, c. 1761

Graflegging
Peter Paul Rubens, 1615 - 1617

Venus and Adonis
Palma il Giovane, c. 1620

Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)
Agostino Carracci, 1557–1602






