Hardships in the Camp

More by Roger Fenton

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Lindisfarne Priory, Holy Isle
Lindisfarne Priory, Holy Isle
Roger Fenton, 1856
Pasha and Bayadère
Pasha and Bayadère
Roger Fenton, 1858
Contemplative Odalisque
Contemplative Odalisque
Roger Fenton, 1858
Pont-y-Garth, near Capel Curig
Pont-y-Garth, near Capel Curig
Roger Fenton, 1857
Rievaulx Abbey
Rievaulx Abbey
Roger Fenton, 1854
Rievaulx Abbey, the North Transept
Rievaulx Abbey, the North Transept
Roger Fenton, 1854
Glastonbury Abbey, Arches of the North Aisle
Glastonbury Abbey, Arches of the North Aisle
Roger Fenton, 1858
Fruit and Flowers
Fruit and Flowers
Roger Fenton, 1860
On the Llugwy, near Bettws-y-Coed
On the Llugwy, near Bettws-y-Coed
Roger Fenton, 1857
View from Ogwen Falls into Nan Francon
View from Ogwen Falls into Nan Francon
Roger Fenton, 1857
Moel Seabid, from the Lledr Valley
Moel Seabid, from the Lledr Valley
Roger Fenton, 1857
[Still Life with Fruit and Decanter]
[Still Life with Fruit and Decanter]
Roger Fenton, 1860

Visually similar

Cooking House of the 8th Hussars
Cooking House of the 8th Hussars
Roger Fenton, negative 1855; print January 1, 1856
Arab Watching the Body of His Friend
Arab Watching the Body of His Friend
Mariano Fortuny Marsal, n.d.
Ritter Tod, from the series Brahmsphantasie
Ritter Tod, from the series Brahmsphantasie
Max Klinger, 1894
The Horrors of War: And There's No Help For It
The Horrors of War: And There's No Help For It
Francisco Goya, c. 1810–20
[Navajos from Painted Desert and Lummis]
[Navajos from Painted Desert and Lummis]
Adam Clark Vroman, about 1903
Serenade
Serenade
Mariano Fortuny Marsal, c. 1863–65
Bullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body
Bullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body
Francisco Goya, 1816, printed 1876
The Horrors of War: Unhappy Mother
The Horrors of War: Unhappy Mother
Francisco Goya, c. 1810–20
Sappo
Sappo
Anders Zorn, 1917
Pursued Centaur, plate three from Intermezzos
Pursued Centaur, plate three from Intermezzos
Max Klinger, 1881
Simplicius am Grabe des Einsiedlers, from the series Intermezzi
Simplicius am Grabe des Einsiedlers, from the series Intermezzi
Max Klinger, n.d.
På Vej til kirkegården (56)
På Vej til kirkegården (56)
Francisco Goya, 1810-1820