More by Kikukawa Eizan
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The Courtesan Meizan of the Chojiya on a Balcony Overlooking the Sumida River
Kikukawa Eizan, ca. early or mid 1820s

Eyes for Looking at a Courtesan
Kikukawa Eizan, c. 1810

Two Women and a Girl
Kikukawa Eizan, 1800–1829

Two Courtesans on a Balcony (From the series Five Colors of Ink)
Kikukawa Eizan, c. early 1810s

A Picture of the Viewing in the Pleasure Quarters
Kikukawa Eizan, 1810s

Descending Geese at Katata (From the series Elegant Women and the Eight Views of Lake Biwa)
Kikukawa Eizan, 1810s

The Courtesan Aizome of the Ebiya (From the series Eight Views of the Tale of Genji)
Kikukawa Eizan, c. late 1800s

Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters
Kikukawa Eizan, 1812

A Picture of the Viewing in the Pleasure Quarters
Kikukawa Eizan, 1810s
Visually similar

The Courtesan Shiratama of the Tamaya
Utagawa Kunisada, c. early 1810s

Courtesan, Shinohara and Kamuro of Tsuruya
Kitagawa Utamaro, late 18th century

Ichikawa of Matsubaya with Minomo and Tamamo
Kitagawa Utamaro, 1753–1806

Eyes for Looking at a Courtesan
Kikukawa Eizan, c. 1810

The Courtesan Hana-ogi of Ogiya as the Sennin Tekkai (from the series Eight Immortals of Sensuality)
Kitagawa Utamaro, mid 1790s

Courtesan with Sake Cup and Scroll
Kikukawa Eizan, 1787–1867

Omando: Ochie, Onokichi of the Matsuya, from the series Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu) (Omando, Matsuya uchi Ochie, Onokichi)
Kitagawa Utamaro, 1783

Courtesan Reading Beside a Potted Plum Tree, from the series Seven Courtesans Compared to Daoist Immortals
Yashima Gakutei, early 1820s

Haze on a Clear Day at Stone Bridge (From the series Eight Elegant Views of Chanted Accompanimnets for Kabuki Plays)
Kikukawa Eizan, early 1810s






