In the seventeenth century Japanese aristocrats often composed and recited classical poetry while viewing foliage at appointed times of the year. During festivities, poems would be carefully written on patterned slips of paper (tanzaku) and tied to the branches of trees. In this screen, the premier court painter Tosa Mitsuoki described the inevitable transience of beauty by imagining the melancholy hours after the departure of the reveling courtiers, who had created poems with quotations of appropriate seasonal poetry from twelfth- and thirteenth-century anthologies inscribed on the narrow strips. The slips flutter in the gentle breeze, fastened to a maple bursting with red leaves in autumn.
A companion screen, also in the Art Institute’s collection, depicts a cherry tree in full bloom in spring. The screens were either commissioned by or given to Empress Tōfukumon-in, a daughter of the Tokugawa shogun (military leader), who married the emperor Gomizunoo (reigned 1611–29). In an era otherwise marked by the feudal shogunate’s increasing control over imperial prerogatives, this royal couple encouraged a renaissance of courtly taste that nostalgically evoked early medieval aristocratic life. This pair of screens remains as evidence of this cultural flowering.
Text: Art Institute of Chicago, CC BY 4.0.
![Plum Trees [right of a pair of Plum Trees and Hollyhocks]](https://konstfynd.b-cdn.net/artworks/mia-122148/w400.webp)
![Autumn [left of a pair of Birds and Flowers in Spring and Autumn]](https://konstfynd.b-cdn.net/artworks/mia-22382/w400.webp)
