A Black and a Moroccan Woman in Tanger (study)

More by Mariano Fortuny Marsal

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The Spanish Wedding
The Spanish Wedding
Mariano Fortuny Marsal, 1870
The Choice of a Model
The Choice of a Model
Mariano Fortuny Marsal, 1868-1874
A Patio in Granada
A Patio in Granada
Mariano Fortuny Marsal, 1873
Antiquaries
Antiquaries
Mariano Fortuny Marsal, 1863
The Print Collector
The Print Collector
Mariano Fortuny Marsal, 1866
The Slaughter of The Abencerrajes
The Slaughter of The Abencerrajes
Mariano Fortuny Marsal, c. 1870
African Chief
African Chief
Mariano Fortuny Marsal, 1870
Self-portrait
Self-portrait
Mariano Fortuny Marsal, c. 1858
The Garden of the Fortuny Residence
The Garden of the Fortuny Residence
Mariano Fortuny Marsal, 1870s
Nude Old Man in the Sun
Nude Old Man in the Sun
Mariano Fortuny Marsal, c. 1871
Masquerade
Masquerade
Mariano Fortuny Marsal, 1868
A Moroccan Woman in Traditional Dress
A Moroccan Woman in Traditional Dress
Mariano Fortuny Marsal, 1866

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Crimson Note, Carmen
Crimson Note, Carmen
James McNeill Whistler, 1895
Marat assassinated
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Jacques-Louis David, c. 1794
Selbstporträt als Nürnberger Landsknecht
Selbstporträt als Nürnberger Landsknecht
Lovis Corinth, 1913
In Church
In Church
Honoré Daumier, 1855/1857
Jeune fille arabe - Jean-Baptiste Carpeaux
Jeune fille arabe - Jean-Baptiste Carpeaux
Jean-Baptiste Carpeaux, 1847–1875
Carmelita Requena
Carmelita Requena
Thomas Eakins, 1869
Tunisian girl (Bedouin Woman in White)
Tunisian girl (Bedouin Woman in White)
Ants Laikmaa, 1914
Self-portrait as Zeuxis Laughing
Self-portrait as Zeuxis Laughing
Rembrandt, c. 1668
Unbekanntes Mädchen
Unbekanntes Mädchen
Franz von Lenbach, c. 1877
Bust of a Man. Allegory of Bacchus
Bust of a Man. Allegory of Bacchus
Mariano Fortuny Marsal, c. 1868
Wat-ál-le-go, a Brave
Wat-ál-le-go, a Brave
George Catlin, 1834
Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)
Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)
Henry Fuseli, 1770–78